| 2008 | Swap/Vaihto, Bureau, Salford and The Cable Factory, Finland |
| 2006 | )Bracket This(3, Arena Gallery, Liverpool, Biennial Independents* |
| Pattern, Shipley Art Gallery, Gateshead |
| Frenzy: L’Art Decoratif D’Aujourd Hui, Metropole Galleries, Folkestone |
| New Trends in Painting Since 2000, City Gallery Offsite, Leicester |
| 2005 | Region, Piccadilly Gardens, Manchester |
| A Haunting, Various Locations, Manchester |
| Lost and Found, MAC, Birmingham |
| 2003 | The Eve of Destruction, The International 3, Manchester |
| Thermo 03, The Lowry, Salford Quays |
| The Dog and Partridge, Castlefield Gallery, Manchester |
| 2002 | Art Take Away, The Cornerhouse, Manchester |
| EastWest, Mint, London |
| Pattern Crazy, The Crafts Council, London* |
| Fresh Paint, Debenhams Windows, Manchester |
| Crawford Open 2, Crawford Art Gallery, Cork, Ireland* |
|
*catalogue available |
| 2008 | ‘The Space of Language’, essay in exhibition catalogue for
Anne Charnock: Certainty Suspended |
| 2006 |
‘Should We Have Stayed At Home and thought of Here?’, Garageland: Nature, 3, p24–25* |
| ‘In Search of The Sensual’, Essay to accompany Frenzy exhibition, Metropole Galleries* |
| 2005 | ‘Let us leave to the clothes dyers the sensory jubilations
of the paint tub: Painting and the Decorative’. Paper
given at Collections and Creativity Conference, The Whitworth Art Gallery,
Manchester. |
| 1999 | ‘Touching the Subject and Imagining the Texture of Absence’
Paper given at Theory in Art History 1960–1999 Conference,
The Courtauld Institute, London. |
| *read these pieces in the writing section |