| 2010 | Tatton Park Biennial, Tatton Park, Cheshire |
| Paint, Beldam Gallery, Brunel University, London |
| London Art Fair with Paul Stolper Gallery |
| 2009 | Fringe MK Painting Prize, Middleton Hall, Milton Keynes |
| Pairs, Paul Stolper Gallery, London |
| Coller-Elective, Arena Gallery, Liverpool |
| Creekside Open Part 1, A.P.T Gallery, Deptford, London |
| Sale, The Royal Standard, Liverpool |
| London Art Fair with Paul Stolper Gallery |
| 2008 | Future 50, Project Space, Leeds |
| Swap/Vaihto, Bureau, Salford and The Cable Factory, Helsinki |
| 2006 | )Bracket This(3, Arena Gallery, Liverpool, Biennial Independents* |
| Pattern, Shipley Art Gallery, Gateshead |
| Frenzy: L’Art Decoratif D’Aujourd Hui, Metropole Galleries, Folkestone |
| New Trends in Painting Since 2000, City Gallery Offsite, Leicester |
| 2005 | Region, Piccadilly Gardens, Manchester |
| Lost and Found, MAC, Birmingham |
| 2003 | The Eve of Destruction, The International 3, Manchester |
| Thermo 03, The Lowry, Salford Quays |
| The Dog and Partridge, Castlefield Gallery, Manchester |
| 2002 | Art Take Away, The Cornerhouse, Manchester |
| Pattern Crazy, The Crafts Council, London* |
| Crawford Open 2, Crawford Art Gallery, Cork, Ireland* |
|
*catalogue available |
| 2010 | Finalist for the Guasch-Coranty International Painting Prize |
| 2009 | Short Listed for the Abbey Painting Fellowship
at The British School at Rome |
| Commission from Vital Arts
for The Royal London Hospital, Whitechapel, London |
| 2008 – 2009 | International Artists Residency at The Florence Trust, London |
| 2008 | Launch of a collection with The Rug Company, London |
| 2004 | Research and Development Award, The Arts Council England |
| 2008 | ‘The Space of Language’, essay in exhibition catalogue for
Anne Charnock: Certainty Suspended |
| 2006 |
‘Should We Have Stayed At Home and thought of Here?’, Garageland: Nature, 3, p24–25* |
| ‘In Search of The Sensual’, Essay to accompany Frenzy exhibition, Metropole Galleries* |
| 2005 | ‘Let us leave to the clothes dyers the sensory jubilations
of the paint tub: Painting and the Decorative’. Paper
given at Collections and Creativity Conference, The Whitworth Art Gallery,
Manchester. |
| 1999 | ‘Touching the Subject and Imagining the Texture of Absence’
Paper given at Theory in Art History 1960–1999 Conference,
The Courtauld Institute, London. |
| *read these pieces in the writing section |